Nijo-jo Castle Painting Gallery

Introduction to Nijo-jo Castle

Nijo-jo Castle Painting Gallery

The Nijo-jo Castle Painting Gallery was built to preserve and display the original wall and sliding-screen paintings of the Ninomaru-goten Palace. Construction began in 2003, the 400th anniversary of Nijo-jo Castle, and was completed in October 2005, when the gallery opened to the public. The paintings are designated as Important Cultural Properties by the Japanese government.
The paintings are arranged on movable panels, which are brought out of storage and displayed in the gallery’s glass-covered cases for the usually quarterly changing exhibitions, assembled around a theme or specific room in the palace. Although they have been removed from the castle rooms, the paintings are arranged in the same order and relative positions as they were when they were in situ.
The entrance hall of the gallery displays examples of ornamental interior hardware from the castle, and artifacts unearthed from the castle grounds. It is hoped that these exhibits will spark further interest in the castle.

  • Nijo-jo Castle Painting Gallery
  • Examples of exhibitions

2020-2021 Nijo-jo Castle Painting Gallery Original Mural Exhibitions

Spring Exhibition Meeting Rooms in Bloom: Spring in the Kuroshoin Murals
Thursday, April 23 to Sunday, June 21, 2020
Summer Exhibition Meeting Room of the Ohiroma as the Scene of Historical Events
First period: Ni-no-ma from the Shogun’s Perspective
Thursday, July 16 to Monday, August 24, 2020
Second period: Ichi-no-ma Surrounding the Shogun
Friday, September 4 to Sunday, September 27, 2020
Fall Exhibition Autumn Scenery: Selected Murals from the Shiroshoin
Thursday, October 8 to Sunday, December 6, 2020
Winter Exhibition Pine Trees and Beach with Pine Trees: Murals in the Kuroshoin San-no-ma
Monday, December 21, 2020 to Sunday, February 21, 2021

* The Painting Gallery is closed from December 29 to 31.

A note about the paintings on view
The Painting Gallery displays on average 30 paintings (of the total 1,016 paintings designated as Important Cultural Properties) at any given time. Exhibition durations are also limited to protect the works from deterioration. Visitors are advised to check the exhibition schedule, or inquire in advance to find out if a specific painting is on view at the time of their visit.

Hours

9:00 to 16:30 (Gallery closed at 16:45.)
Please note: Last admission to the castle grounds is at 16:00.

Admission

100 yen
The above are required in addition to admission to the castle grounds. Admission to the Painting Gallery is free to preschool age and younger children.

Location

The Painting Gallery is located within the premises of Nijo-jo Castle, to the north of the Rest Area.

Location of the Painting Gallery

Past exhibitions

Reproduction and Conservation of Ninomaru-goten Palace Paintings

Two projects are under way to protect and preserve the murals and sliding-screen paintings in the Ninomaru-goten Palace: one is large-scale conservation work funded in part by the national government, and the other is the production of reproductions for replacing the originals inside the palace. The aim of the conservation work is to preserve for posterity the over 400-year-old paintings in their current state by keeping the original paint and paper support intact. As a rule, this involves replacing all substrate and backing paper to ensure a stable condition during storage. While absolutely no reconstructive treatment is applied to the original artworks undergoing conservation work, the aim of reproduction is to reconstruct the paintings’ early 17th-century appearance. In these reconstructed facsimiles, the applicable shapes, hues, and brush strokes are chosen after careful consideration so as to supplement what is lost, and eliminate later additions. Because the reproductions employ traditional materials and techniques, the project also serves to drive the study and preservation of traditional art techniques. Nijo-jo Castle’s ongoing commitment to these projects is based on the idea that the significant time and cost required by the conservation and reproduction of these cherished cultural legacies are justified by the value they hold for future generations.

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